februari 13, 2026

Published februari 13, 2026 by ad-vinylrecords with 0 comment

Tomita - Pictures At An Exhibition (1975) (vinyl Lp) - €10,00

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"Pictures at an Exhibition" is a piano suite in ten movements, plus a recurring and varied Promenade theme, written in 1874, by Russian composer Modest Mussorgsky. 
It is a musical depiction of a tour of an exhibition of works by architect and painter Viktor Hartmann put on at the Imperial Academy of Arts in Saint Petersburg, following his sudden death in the previous year. Each movement of the suite is based on an individual work, some of which are lost.

Isao Tomita (22 April 1932 – 5 May 2016) (often known simply as Tomita) was a Japanese composer regarded as one of the pioneers of electronic music and space music as well as one of the most famous producers of analog synthesizer arrangements. 
In addition to creating note-by-note realizations, Tomita made extensive use of the sound-design capabilities of his instrument, using synthesizers to create new sounds to accompany and enhance his electronic realizations of acoustic instruments. 
He also made effective use of analog music sequencers and the Mellotron, and featured futuristic science-fiction themes, while laying the foundations for synth-pop music and trance-like rhythms. 
Many of his albums are electronic versions and adaptations of familiar classical music pieces.
Tomita's first attempt at reproducing a whole longform classical work in his inimitable moogsploitative style is mostly successful. 
He converts each piece into something new, including a striking variety of approaches to the many Promenade themes. 
He keeps most of the emotional beats intact, successfully capturing the spirit of Hartmann's pictures just as Mussorgsky did. of course, new isn't always a good thing. 
I'm usually a defender of Tomita's inclination towards sound effects, but he misses the mark a few times here, like with the chicken tweets on "Ballet of the Chicks in Their Shells".
Programmatic elements should be just that - they should evoke nature, not literally be nature. it strips the composition of its representational power, a definite misstep. otherwise he does a great job with his sound construction; it's dense and well crafted, from the dark oppressive tones of tracks like Catacombs to the joyous exaltation of closer "Great Gate of Kiev". on Pictures At An Exhibition Tomita shows his mastery of synthetic arrangement extends even to recreating full works without losing any of their magnitude.
Tomita's version of Mussorgsky's Pictures at an Exhibition is a quaint mid-70's take on the romantic classic. Certainly the various marching "Promenade" sequences are light, charming, and evocative. 
The interim pieces do evoke a mystical sense of a retro future past almost like an old Doctor Who episode. 
Certainly there are some hit and miss arrangements that keep this from the absolute classic category though a tinge of nostalgia remains nonetheless.


Side one
1.  Promenade - 1:30 
2.  The Gnome - 3:12 
3.  Promenade - 1:02 
4.  The Old Castle - 5:18 
5.  Promenade - 0:34 
6.  Tuileries - 0:55 
7.  Bydlo - 3:17 
8.  Promenade - 1:00 
9.  Ballet Of The Chicks In Their Shells - 1:05 

Side two
1.  The Two Jews - 3:04 
2.  Limoges/ Catacombs - 3:56 
3.  Cum Mortuis In Lingua Mortua - 2:06 
4.  Baba Yaga (Hut On Fowls’ Legs) - 3:50 
5.  Great Gate Of Kiev - 6:14


Companies, etc.

Credits

Notes
Release: 1975
Genre:  Modern Classical, Ambient
Format:  LP, Vinyl
Label:  RCA 
Catalog#  ARL1-0838

Vinyl: Goed (Excellent)
Cover: Goed / Voorkant Sticker (Excellent)

Prijs: 10,00

februari 11, 2026

Published februari 11, 2026 by ad-vinylrecords with 0 comment

Jim Diamond - Double Crossed (1984) (vinyl Lp) - €10,00

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James Aaron Diamond (28 September 1951 – 8 October 2015) was a Scottish singer-songwriter, best known for his three top 5 hits: "I Won't Let You Down" (1982), as the lead singer of PhD; and his solo performances "I Should Have Known Better", a United Kingdom No. 1 in 1984.
"Double Crossed" is the debut solo album by Jim Diamond, released in 1985. 
The album features Diamond's first three solo singles, "I Should Have Known Better", "I Sleep Alone at Night" and "Remember I Love You". 
The album was dedicated to Diamond's father who had recently died. 
Diamond recorded this after PhD unceremoniously disbanded (they'd reunite over two decades later) and the style on this album is much different than PhD or any band he was in. 
The lead single was "I Should Have Known Better" (not the Beatles song of the same name of course) which was a UK #1 in fall 1984 until he told people to buy Band Aids benefit single instead (I was told this backfired many years later). 
There is another version of the same session with a slightly different guitar solo which may be on The Best of Jim Diamond.  Former Moody Blues producer Pip Williams produced most of the album except "Remember I Love You" (maybe he didn't want too many ballads but Diamond and the label did). 
"Caledonia", a B-side, was an ode to his native Scotland (not the same track as on his more Scottish folk flavoured album Sugarolly Days). On the same token "Rock 'n' Roll" is a different animal to PhDs "Rock 'n Roll Days". 
"I'm Yours" has a bit of mondegreen if you have a listen you'd know what I mean.
Paul "Wix" Wickens plays keyboards on some tracks. I know him more from working with Paul McCartney.


Side one
1.  Double Crossed - 3:51
2.  I Sleep Alone At Night - 4:57
3.  After The Fire - 4:06
4.  I Should Have Known Better - 4:06
5.  Stumblin’ Over - 4:15

Side two
1.  New Generation - 5:04
2.  Co-Operation - 5:58
3.  She Is Woman - 4:32
4.  I’m Yours - 4:50
5.  Impossible Dream - 4:35


Companies, etc.

Credits

Notes
Release: 1984
Format:  LP, Vinyl
Genre:   Synth-pop
Label:  A&M
Catalog#  AMA 5029

Vinyl:  Goed (Excellent)
Cover:  Goed (Excellent)

Prijs: €10,00

februari 08, 2026

Published februari 08, 2026 by ad-vinylrecords with 0 comment

Simple Minds - Sparkle In The Rain (1983) (vinyl Lp) - €20,00

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"Sparkle in the Rain" is the sixth studio album by Scottish rock band Simple Minds, released on 6 February 1984 by record label Virgin in the UK.
Sparkle in the Rain is a generally rock-oriented album, a departure from the new wave aesthetic of its critically acclaimed predecessor New Gold Dream (81/82/83/84). 
Kerr, before its release, described the forthcoming Sparkle in the Rain as an "art record—art without tears with masses of muscle". 
The band's new drummer Mel Gaynor, who had contributed for some tracks on the previous record, agreed on the album's aggressiveness: "On this album I'm getting a few of my ideas across, not only in the drumming field but in other fields as well. 
It's a lot different from New Gold Dream, both sound-wise and material-wise. 
The last one was very smooth, very polished. This album's got a bit more dirt in it." 
Regarding the role of producer Steve Lillywhite, Brian Hogg wrote that Sparkle in the Rain "captured the bravura of their in-concert sound" and Lillywhite "introduced a dynamic, often contrasting, perspective quite unlike the panoramic standpoint of its predecessor, but there was no denying the resultant brash excitement." 
Adam Sweeting described how, during the recording process of "Up on the Catwalk", "Forbes and Gaynor had combined to create a steamrolling rhythm track which came hammering out of the opening chorus like a runaway train."
The record was produced by Steve Lillywhite (U2, et al.), and it's a perfect match-up: Simple Minds aspire to music of a trancelike otherworldliness, and Lillywhite has the knack to lead them up that proverbial stairway to heaven.
The sound is Roxy Music-gone-2001, and it works remarkably well (one exception: their unlikely choice of an outside song in Lou Reed's "Street Hassle," which doesn't bear covering by anyone). 
Initially, vocalist Jim Kerr might seem like just another Bryan Ferry clone, but as he stokes his inner fires with some private perception of the emerald beyond – reaching an absolutely feverish pitch on "The Kick inside of Me" – he emerges as an obsessive visionary in his own right. 
The band, meanwhile, weaves a complex web of sound from the unlikeliest parts: churchy, staccato keyboards; lacelike, arpeggiated guitar lines and soaring wisps of feedback; and metallic-sounding drums.
Sparkle in the Rain is filled with potent images that can be read as religious emblems: baptismal immersion or death ("Waterfront"), redemption on the Cross ("East at Easter"), the Word ("Book of Brilliant Things"). 
Simple Minds find religious illumination in the vertigo of their fertile imaginations, and it comes out as psychedelic testifying – all fast movement and kaleidoscopic repetition – that builds to a crescendo of ecstasy and release. 
When Kerr sings, "Someday, some of them say that our hearts will beat like the wheels of a fast train" (from "Book of Brilliant Things"), you know you're in for a wild ride.


Side one
1. Up On The Catwalk - 4:45
2. Book Of Brilliant Things - 4:21
3. Speed Your Love To Me - 4:24
4. Waterfront - 7:26
5. East At Easter - 3:32

Side two
1. Street Hassle - 5:14
2. White Hot Day - 4:32
3. “C” Moon Cry Like A Baby - 4:19
4. The Kick Inside Of Me - 4:48
5. Shake Off The Ghosts - 3:57

Simple Minds

Additional personnel
  • Kirsty MacColl – voice on "Speed Your Love to Me" and "Street Hassle"

Production
  • Producer – Steve Lillywhite
  • Engineer – Howard Gray
  • Assistant engineers – Paul Cook and Gavin McKillop
  • Studio equipment – Matt Dunn and Paul Kerr
  • Sleeve production – Assorted Images
  • Coordination – Gemma Corfield

Notes
Release: 1983
Format:  LP, Vinyl
Genre:  New Wave
Label:  Virgin Records
Catalog#  205913

Vinyl:  Goed (Excellent)
Cover: Goed (Excellent 

Prijs: €20,00

februari 06, 2026

Published februari 06, 2026 by ad-vinylrecords with 0 comment

Eric Clapton - Money And Cigarettes (1983) (vinyl Lp) - €10,00

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"Money and Cigarettes" is the eighth solo studio album by Eric Clapton, recorded after his first rehabilitation from alcoholism. 
Produced by Clapton and Tom Dowd with, apart from Albert Lee, a new backing band of veteran session musicians including Donald "Duck" Dunn, Roger Hawkins, and Ry Cooder. The album was moderately successful commercially, reaching Top 20 chart positions in several countries.

Money and Cigarettes marked several important turning points in Eric Clapton's recording career. It was his debut release on his own Duck imprint within Warner Bros.' Reprise Records subsidiary. 
It was also the first album he made after coming to terms with his drinking problem by giving up alcohol. 
Newly focused and having written a batch of new songs, he became dissatisfied with his longtime band and fired them, with the exception of second guitarist Albert Lee. 
In their place, he hired session pros like Stax Records veteran bassist Donald "Duck" Dunn and Muscle Shoals drummer Roger Hawkins, also bringing in guest guitarist Ry Cooder. His new songs reflected on his changed condition, with "Ain't Going Down," a thinly veiled musical rewrite of the Jimi Hendrix arrangement of "All Along the Watchtower," serving as a statement of purpose that declared, "I've still got something left to say." 
"The Shape You're In" was a criticism of his wife for her alcoholism that concluded, "I'm just telling you baby 'cause I've been there myself," while the lengthy acoustic ballad "Pretty Girl" and "Man in Love" reaffirmed his feelings for her. 
The album's single was the relatively slight pop tune "I've Got a Rock n' Roll Heart," but Clapton's many blues fans must have been most pleased with the covers of Sleepy John Estes' "Everybody Oughta Make a Change" (significantly placed as the album's leadoff track), Albert King's "Crosscut Saw," and Johnny Otis' "Crazy Country Hop." 
For all the changes and the high-powered sidemen, though, Money and Cigarettes ended up being just an average effort from Clapton, which his audience seems to have sensed since, despite the Top 20 placement for the single, it became his first album in more than six years to miss the Top Ten and fail to go gold.


Side one
1.  Everybody Oughta Make A Change - 3:16
2.  The Shape You’re In - 4:08
3.  Ain’t Going Down - 4:01
4.  I’ve Got A Rock N’ Roll Heart - 3:13
5.  Man Overboard - 3:45

Side two
1.  Pretty Girl - 5:29
2.  Man In Love - 2:46
3.  Crosscut Saw - 3:30
4.  Slow Down Linda - 4:14
5.  Crazy Country Hop - 2:46


Personnel

Production
  • Producers – Tom Dowd and Eric Clapton
  • Engineers – Tom Dowd and Michael Carnavale
  • Assistant Engineer – Dennis Halliburton
  • Mastered by Mike Fuller at Criteria Studios (Miami, FL).
  • Art Direction – El & Nel Ink., Graham Hughes
  • Photography – Graham Hughes
  • Design – El & Nel Ink., Ian Murray
  • Model Maker – Laurie Savage
  • Typography and Design – Ian Murray Acrobat Design

Companies, etc.

Notes
Release: 1983
Format:  LP, Vinyl
Genre:  Blues rock
Label:  Duck Records
Catalog#  923773-1

Vinyl:  Goed  (Excellent)
Cover:  Goed (Excellent)

Prijs: €10,00

februari 05, 2026

Published februari 05, 2026 by ad-vinylrecords with 0 comment

XTC - English Settlement (1982) (vinyl Lp) - €10,00

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"English Settlement" is the fifth studio album and first double album by the English rock band XTC, released 12 February 1982 on Virgin Records. 
It marked a turn towards the more pastoral pop songs that would dominate later XTC releases, with an emphasis on acoustic guitar, 12-string electric guitar and fretless bass. 
The title refers to the Uffington White Horse depicted on the cover, to the "settlement" of viewpoints, and to the Englishness that the band felt they "settled" into the record.
Once again, XTC has managed the difficult feat of sounding accessible even while moving into evermore abstruse and adventuresome territory. 
Driven along by the rolling thunder of Terry Chambers' drumming, the smooth electric glide of Colin Moulding's fretless bass and the angular guitar work of Dave Gregory and Andy Partridge, the ten songs on English Settlement take on the world, by turns, in concretely political and dreamily mythic terms. 
On one side, "Melt the Guns" pleads for global disarmament, singling out the U.S. in particular for fecklessly courting apocalypse. "Jason and the Argonauts," though, is almost the stuff of parable, an imagistic recounting of a modern-day vision quest.
Musically, XTC's new songs attain something of an anthemic grandeur through repetition of a musical theme or fragment, sustained over the course of five or more minutes by a steady rhythmic pulse (African and third-world rhythms figure prominently). 
The result is a program of numbers that resonate across all manner of invigorating wordplay with a jazzy, stoned ambiance.
"Senses Working Overtime," which could be this band's long-overdue hit, sums up the XTC aesthetic perfectly: employing all of their faculties for taking in the world around them, they digest that input and send out some new wisdom of their own. This process is called communication, and to XTC, it's as natural as breathing. 
XTC recorded the album at The Manor Studio in Oxfordshire with producer Hugh Padgham, the engineer of their previous two LPs. Compared to the band's previous releases, English Settlement showcased more complex and intricate arrangements, lengthier songs, lyrics that covered broader social issues, and a wider range of music styles. 
Principal songwriter Andy Partridge was fatigued by the grueling touring regimen imposed by their label and management, and believed that pursuing a sound less suited for live performance would relieve the pressure to tour. 

Three singles were issued from the album: "Senses Working Overtime", "Ball and Chain" and "No Thugs in Our House".


Side one
1.  Runaways - 4:33
2.  Ball And Chain - 4:30
3.  Senses Working Overtime - 4:50
4.  Jason And The Argonauts - 6:05
5.  Snowman - 5:12

Side two
1.  Melt The Guns - 6:31
2.  No Thugs In Our House - 5:09
3.  Yacht Dance - 3:54
4.  English Roundabout - 3:48
5.  All Of A Sudden (It’s Too Late) - 5:19


XTC

Additional personnel
  • Hugh Padgham – backing vocals on "Ball and Chain"
  • Hans de Vente – backing vocals on "It's Nearly Africa"

Technical
  • Hugh Padgham – producer, engineer, mixing
  • XTC – producer, mixing
  • Howard Gray – assistant engineer
  • Ken Ansell – artwork
  • Art Dragon – illustrations
  • Allan Ballard – photography

Notes
Release:  1982
Format:  LP, Vinyl
Genre:  New Wave, Pop
Label:  Virgin
Catalog#  204446

Vinyl:  Goed (Excellent)
Cover:  Goed (Excellent)

Prijs: €10,00

februari 04, 2026

Published februari 04, 2026 by ad-vinylrecords with 0 comment

J.J. Cale - Shades (1980) (vinyl Lp) - €10,00

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"Shades" is the sixth studio album by J. J. Cale, released in February 1981.
Despite the coterie of musicians used on the sessions, Shades has a remarkably cohesive sound that is immediately recognizable as J.J. Cale. Nine of the ten songs are original compositions, the exception being “Mama Don’t,” which would become Cale’s show opener. 
As can be seen in the 2005 documentary To Tulsa and Back, Cale would take the stage himself and introduce the band members one by one following along to the words of the song (“Mama don’t allow no bass in this place…”) The album opens with “Carry On,” an optimistic call for perseverance in the face of adversity, followed by the chugging prison song “Deep Dark Dungeon.” The relationship songs have a sour tone, as is evident in “Runaround” and the bitter “What Do You Expect” (“What do you expect, caviar and candlelight? Champagne every night?") 
"Love Has Been Gone” is also despairing, with Cale repeating the line “There’s nothing new…” Even the straight love song “Wish I Had Not Said That” has an inherent ambivalence in the title, despite the tenderness found in the lyrics.
“Pack My Jack” recalls earlier Cale songs like “Travelin’ Light” and “I’m a Gypsy Man” and speaks to the freedom of the highway and how “a ramblin’ man keeps ramblin’ on.” 
The album’s closing track, “Cloudy Day” is an instrumental that clocks in at nearly five-and-a-half minutes, making it the longest song to appear on one of Cale’s albums.
Shades' cover features a silhouette of a guitar player, presumably Cale, inspired by the design of French cigarettes brand Gitanes. The notoriously media-shy singer would not use his own image on an LP cover until his 1983 album #8.


Side one
1.  Carry On - 2:19
2.  Deep Dark Dungeon - 2:08
3.  Wish I Had Not Said That - 3:23
4.  Pack My Jack - 5:12
5.  If You Leave Her - 2:45

Side two
1.  Mama Don’t - 3:47
2.  Runaround - 2:42
3.  What Do You Expect - 3:25
4.  Love Has Been Gone - 2:16
5.  Cloudy Day - 5:25


Personnel
Technical
  • Vigon Nahas Vigon – art direction, design
  • Helmut Werd – photography
  • Chad Hailey – engineer
  • Les Ladd – engineer
  • Audie Ashworth – engineer, producer
  • Ron Reynolds – engineer, mixing
  • Hugh Davies – engineer, mixing
  • Steve Ripley – engineer
  • Joe Mills – engineer, mixing

Companies, etc.

Notes
Release: 1980
Format:  LP, Vinyl
Genre:  Blues rock, Tulsa Sound
Label:  Shelter
Catalog#  203276

Vinyl:  Goed (Excellent)
Cover:  Goed (Excellent)

Prijs: €10,00

januari 29, 2026

Published januari 29, 2026 by ad-vinylrecords with 0 comment

Gary Wright - Touch And Gone (1977) (vinyl Lp) - €10,00

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"Touch and Gone" is the fifth album by American rock musician Gary Wright. 
It was released in November 1977 on Warner Bros. Records as the follow-up to The Light of Smiles. 
Wright changed his approach to songwriting for the album by collaborating with other writers on six of the nine songs. 
The album was recorded with only keyboard instruments, aside from vocals, drums, and percussion.

Touch and Gone is Gary's frenetic disco song on an album that is thankfully not disco. 
His songwriting has always been very straightforward and keyboard oriented, delivering simple messages with heartfelt earnestness. 
The only songs that rise above the ordinary energy are Something Very Special and Lost In My Emotions which are respectively blue-eyed funky and soulfully chorused; they should have been the singles. 
Starry Eyed and Sky Eyes are both a little too naively precious gospel tunes. Stay Away and Can't Get Above Losing You are irritatingly repetitous, seemingly intentionally so. Night Ride is a pretty forgettable shuffle. 
The Love It Takes merely an inferior Love Is Alive retread. Download the two songs I recommend, you won't miss the rest.

• Musical Style: The album continues Wright's signature keyboard-based sound, blending progressive rock with, at times, funkier, "spacey" synth elements.
• Production & Reception:  Released in 1977, the album failed to achieve the commercial success of its predecessors, with Wikipedia notes stating it was, according to critics at the time, seen as lacking the impact of his previous work.
• Key Tracks:
o "Touch and Gone" (Title Track): A faster-paced track, sometimes criticized for being "bland" or, alternatively, praised for its synth-funk approach.
o "Night Ride": Noted for its use of bass pedals.
o "Starry Eyed".
o "Something Very Special".
• Context: In his autobiography, Wright mentioned that fear influenced the creative direction of this album, leading him to over-collaborate and lose his own creative focus before later working with George Harrison.
• Critical Reception: Opinions are mixed, with some calling it a "criminally neglected" and "killer album", while others, such as Dave Marsh in The Rolling Stone Record Guide, considered it a dip in quality.


Side one
1. Touch And Gone - 3:58
2. Starry Eyed - 4:10
3. Something Very Special - 3:38
4. Stay Away - 3:36
5. Night Ride - 4:10

Side two
1. Sky Eyes - 4:50
2. Lost In My Emotions - 4:04
3. Can’t Get Above Losing You - 4:02
4. The Love It Takes - 4:10


Personnel
  • Gary Wright – lead and backing vocals, Clavinet, Moog bass,[13] Oberheim synthesizer, Polymoog, organ, Fender Rhodes piano on "The Love it Takes", Moog synthesizer on "Night Ride"
  • Bobby Lyle – Fender Rhodes piano on "Stay Away" and "Night Ride", Clavinet on "Night Ride"
  • Gary Mielke – Oberheim synthesizer on "Sky Eyes"
  • Richard Baker – Oberheim synthesizer on "Something Very Special" and "Stay Away"; Fender Rhodes piano on "Starry Eyed", "Sky Eyes", and "Can't Get Above Losing You"; Polymoog on "The Love it Takes"
  • Peter Reilich – Oberheim synthesizer on "Starry Eyed"
  • Hiroshi Upshur – Clavinet on "Something Very Special" and "The Love it Takes", Oberheim synthesizer on "Sky Eyes" and "Can't Get Above Losing You"
  • Art Wood – drums, percussion
  • Clydie King, Venetta Fields, Sherlie Matthews – backing vocals on "Stay Away" and "Lost in My Emotions"

Companies, etc.

Credits

Notes
Release:  1977
Format:  LP, Vinyl
Genre:  Progressive Rock, Synth-rock
Label:  Warner Bros. Records
Catalog#  WB 56435

Vinyl:  Goed (VG)
Cover:  Goed (VG)

Prijs: €10,00

januari 25, 2026

Published januari 25, 2026 by ad-vinylrecords with 0 comment

The Big Dish - Swimmer (1986) (vinyl Lp) - €10,00

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"Swimmer" is the debut studio album from Scottish pop band The Big Dish, which was released by Virgin in 1986.

The group sound is of that jingle-jangly type redolent of the Postcard sound of the time although in hindsight the record is hindered somewhat by 80's production values with at times bounce-around drums and occasionally using synths where strings would do.
Lindsay happily conforms to the dictum of trying to start his songs with good opening lines but invariably follows through with lyrics markedly more interesting than was usual for the time. 
Sure, some of them evince the preciousness and pretentiousness of which Morrissey was the high-priest of the day, but the art-lover in me particularly reveres the wraparound world he portrays in bringing Andrew Wyeth's wonderful painting "Christina's World" to life (Lindsay was a student at Glasgow School Of Art), while the Glaswegian in me also gets the reference to the city's fine museum of its own history the People's Palace in, naturally "Another People's Palace".
These are two of the highlights, along with the afore-mentioned debut single and album opener "Prospect Street" a sort-of anthem-for-doled-youth, cheekily borrowing Springsteen's "Born To Run" riff for ironic effect.
Other tracks of note include the acoustic rumination of "Jealous", the optimistic glide of "Slide" and the two-part sound-experimental "Swimmer". 
If the rest trip and occasionally fall into wallowing self-pity like "The Loneliest Man In The World" or too obvious soda-pop derivation like "Back Door Bound", indeed the album could have shorn a track or three to better overall effect, overall it's still a highly listenable and confident debut which really deserved some sort of success at the time and, failing that, retrospective kudos too.
As it was, the likes of Orange Juice, Aztec Camera and Lloyd Cole fared better at getting onto the charts but there really should have been room for one more in my opinion, then as now.

The album contains three singles: "Slide", "Prospect Street" and "Christina's World". 
"Christina's World" reached No. 84 in the UK Singles Chart in January 1987 and "Slide" peaked at No. 86 in May 1987.


Side one
1.  Prospect Street - 3:21
2.  Christina’s World - 4:10
3.  Slide - 5:06
4.  Big New Beginning - 3:21
5.  Another People’s Palace - 4:46

Side two
1.  Swimmer - 5:22
2.  The Loneliest Man In The World - 3:39
3.  Jealous - 4:29
4.  Her Town - 3:56
5.  Beyond The Pale - 3:57
6.  Second Swimmer - 2:43


The Big Dish
  • Steven Lindsay – vocals, guitar, keyboards
  • Brian McFie – lead guitar, second guitar
  • Raymond Docherty – bass

Additional musicians

Production
  • Ian Ritchie – producer (tracks 1–3, 6–7, 9–11, 13)
  • Chris Sheldon – engineer (tracks 1–3, 6–7, 9–11, 13)
  • Paul Hardiman – producer (track 4)
  • Glyn Johns – producer (tracks 5, 12)
  • The Big Dish – producers (track 8)

Other
  • Gary Wathen – art direction
  • Red Ranch – design
  • Heather Angel – photography

Notes
Release: 1986
Format: LP, Vinyl
Genre: 
Label: Virgin
Catalog# 207 987-630

Vinyl: Goed (VG)
Cover: Goed (VG)

Prijs: €10,00

januari 23, 2026

Published januari 23, 2026 by ad-vinylrecords with 0 comment

Phil Carmen - Wise Monkeys (1985) (vinyl Lp) - €5,00

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Phil Carmen (born Herbert Hofmann, 14 February 1953) is a Swiss musician and producer.
Born in Lucerne, Switzerland, Carmen grew up in Frankfurt am Main, Germany and Lucerne. 
In Lucerne, he went to the Conservatory, but later studied bookkeeping. In 1975, he decided to turn to music. With bassist Mike Thompson (born Marcel Caluzzi), he founded the duo Carmen & Thompson, playing especially country music. 
The single "Time Moves On" reached #31 on the Italian charts in 1980, and in 1981 they appeared at the San-Remo-Festival performing the song "Follow Me".

After seven years of stage experience, Carmen founded the Picar Studios in Stein am Rhein, Switzerland in 1982 and recorded two solo albums which attracted little attention until 1985, when he had a hit with the LP Walkin' the Dog, which reached #3 in the Swiss charts. The single "On My Way In LA" was his greatest success and climbed in the summer of 1985 to #18 in Germany and #9 in Switzerland. 
"On My Way In LA" was also used in the television series Wild West in 1988. 
His 1986 album Wise Monkeys hit #1 on the Swiss charts, while the single "Moonshine Still" reached #10. His last successful album as a solo artist was City Walls (1987), which went to #10 in Switzerland. 
The corresponding promotional tour led to the Live in Montreux album with the same band line up of Brian Auger on organ, Pick Withers and Larry E. Van on drums, Dick Morrissey on sax, Steve Dawson on trumpet, Steve Evens on bass, Alexander Leon on bassoon and Sabine van Baaren, backing vocals.

A nice, laid-back album. Best tracks are "Rain", "Fire in the night", Moonshine still"(which was the single in a edited version) and "Anything you like".


Side one
1.  Rain  (3:31)
2.  Fire In The Night  (6:41)
3.  Linda’s Cafe  (3:36)
4.  Seeing’s Believin’  (3:43)

Side two
1.  Moonshine Still  (6:41)
2.  Anything You Like  (5:56)
3.  Cool Girl  (3:36)
4.  Wise Monkeys  (4:49)


Companies, etc.

Credits

Notes
Released:  1985
Format:  LP, Vinyl
Genre:  Synth-pop, Soft Rock
Label:  Mercury Records
Catalog#  829 051-1

Vinyl:  Goed (G)
Cover:  Goed (G)

Prijs: €5,00

januari 21, 2026

Published januari 21, 2026 by ad-vinylrecords with 0 comment

The Deele - Eyes Of A Stranger (1987) (vinyl Lp) - €5,00

posted from ad-vinylrecords

"Eyes of a Stranger" is an album released by the R&B band the Deele in 1987.
The Deele (pronounced like "deal") is an American band from Cincinnati, Ohio who achieved success in the 1980s with such hit singles as "Body Talk" and "Two Occasions".
The third album released by the Deele, it became the band's most commercially successful album, on the strength of what is perhaps the group's best-known hit, the R&B top 5 and pop top ten single, "Two Occasions," along with the R&B top ten follow-up, "Shoot 'Em Up Movies." 
It was shortly after the release of this album that primary group songwriters Kenny "Babyface" Edmonds and L.A. Reid left the band to pursue production work.
With group members Kenny "Babyface" Edmonds and Antoine "L.A." Reid's popularity increasing, and their productions skills in demand, it was inevitable that this would be the final album by the urban funk ensemble. 
The LP featured the very credible "Two Occasions"; as Dee gives a depiction of the song through some metaphoric verses, Babyface tenderly intercedes on the pre-hook in support of Dee's lyric. 
This is the only song on the album that features Babyface on lead. 
In spite of its superb arrangement and production, the quiet-storm classic peaked at number four after 24 healthy weeks on the charts even though it was worthy of a number-one ranking. 
The follow-up single, "Shoot 'em Up Movies," has an arrangement that is reminiscent of the golden doo wop era. The creatively composed number peaked at number ten inside of 15 weeks.


Side one
1.  Two Occasions - 4:17
2.  Shoot ‘Em Up Movies - 4:20
3.  Let No One Separate Us - 4:15
4.  Eyes Of A Stranger - 4:52

Side two
1.  Can-U-Dance - 4:34
2.  She Wanted - 4:40
3.  Hip Chic - 4:15
4.  So Many Thangz - 5:16
5.  Eyes Of A Stranger (Reprise) - 1:18


Companies, etc.

Credits

Produced for Deelesongz Inc.
Recorded at Galaxy Sound Studios, Silverlake Studios and Studio Masters, Hollywood, CA
Mixed at Galaxy Sound Studios, Hollywood, CA
Mastered at Capitol Records, Hollywood, CA


Notes
Released: 1987
Format:  LP, Vinyl
Genre:  RnB/Swing
Label:  Solar ‎Records
Catalog#  SOLLP 3609

Vinyl:  Goed (VG)
Cover:  Gebruikerssporen (G)

Prijs: €5,00

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