He dropped most of the label's acts but the Bay City Rollers stayed. He tried releasing "Bye Bye Baby" in the United States -- after all, it had been number ne for six weeks in the United Kingdom, but it didn't make a dent in the Billboard Hot 100. All of their other British singles had failed in the States, too, so Davis used his intuition and went with an album track that he thought would be a good American single.
He was aided by top-notch promotion. The Scottish quintet appeared live via satellite on the premiere segment of ABC-TV's appropriately named Saturday Night Live With Howard Cosell. Davis turned out to be right. "Saturday Night" became the first American chart entry for the Bay City Rollers, debuting on the Hot 100 at number 85 on October 11, 1975. Just 12 weeks later, the group started off 1976 with their first and only American chart-topper.
The Bay City Rollers soon had tartan-clad devotees in the States, just like they did back home. They scored another top 10 single, "Money Honey," and made frequent American television appearances on shows like American Bandstand and The Midnight Special. Their chart fortunes dipped after their 1976 cover of Dusty Springfield's "I Only Want to Be With You," but by the summer of 1977 they had a comeback top 10 single with "You Made Me Believe in Magic."
The Bay City Rollers were all born in Edinburgh, Scotland. Brothers Alan and Derek Longmuir were attending Tynecastle School in 1967 when they formed a group called the Saxons and started rehearsing in their parents' tenement apartment. They soon had a manager, Edinburgh band leader Tam Paton. They selected a group name by sticking a pin into a map -- it landed in Bay City, Michigan, and they thought Bay City Rollers sounded like a good moniker.
They played for three years around Edinburgh, earning up to $55 a night. They were playing at the Caves Club in 1970 when an executive from Bell Records in London missed his flight back to London and caught their performance. They were signed to the label and had their first single, a cover version of the Gentrys' "Keep on Dancing," produced by Jonathan King. It went to number nine in Great Britain in 1971.
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