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Jeff Wayne’s Musical Version of The War of the Worlds is the debut album by Jeff Wayne, retelling the story of The War of the Worlds by H. G. Wells. It was released in the UK on 9 June 1978.
A concept album and a rock opera, its main format is progressive rock and string orchestra, using narration and leitmotifs to carry the story and rhyming melodic lyrics that express the feelings of the various characters.
The album consists of two discs, which correspond roughly to the two “books” of Wells’ novel.
Jeff Wayne’s Musical Version of The War of the Worlds was created by composer Jeff Wayne based on the 1898 novel by H. G. Wells.
It features Academy Award nominated actor Richard Burton, Justin Hayward (of The Moody Blues), Chris Thompson (of Manfred Mann’s Earth Band), Phil Lynott (of Thin Lizzy), Julie Covington (of Evita and Rock Follies), and David Essex (Evita, The China Plates).
Wayne conducts what would come to be known as the Black Smoke Band and the ULLAdubULLA string orchestra.
“Forever Autumn” was a UK Top 5 single, sung by Hayward. The album itself spent 290 weeks in the UK album charts. It was in the top 10 in 22 countries and reached No. 1 in 11 countries.
The repetition of “Ulla!”, the cry made by the Martians, and certain musical refrains throughout the musical act as leitmotifs.
The official album comes with several paintings by Peter Goodfellow, Geoff Taylor and Michael Trim that illustrate the story.
Part 1: The Coming of the Martians
In a prologue, the Journalist notes that in the late 19th century few people had even considered the possible existence of extraterrestrial life, yet planet Earth had in fact long been enviously observed by advanced beings.
The Journalist’s account begins with the sighting of several bursts of green gas which, for ten consecutive nights, erupt from the surface of Mars and appear to approach Earth.
Ogilvy, an astronomer convinced that no life could exist on Mars, assures the Journalist there is no danger. Eventually something crashes onto Horsell Common, and in the resulting crater Ogilvy discovers a glowing cylinder, the top of which begins to unscrew.
When this lid falls off, a Martian creature emerges. By now a crowd has gathered on the common, and when a group of inquisitive men approach the cylinder they are incinerated by the Heat-Ray—an advanced Martian weapon.
The Journalist flees with the crowd. Later, hammering sounds are heard from the pit. A company of soldiers is deployed at the common, and that evening an injured and exhausted Artilleryman wanders into the Journalist’s house and tells him his comrades have been killed by fighting machines—tripod vehicles built and controlled by Martians, each armed with its own Heat-Ray. They set off for London—the Journalist to ensure his lover Carrie is safe, the Artilleryman to report to headquarters—but are soon caught in crossfire between soldiers and Martians and separated.
Three days later the Journalist arrives at Carrie’s house but finds it empty. He resolves to escape London by boat and later catches sight of Carrie aboard a steamer, but the gangplank is raised before he can join her.
Fighting machines then approach, threatening the steamer, but they are engaged by the Royal Navy battleship Thunder Child and two are destroyed.
The steamer escapes, but Thunder Child and her crew are destroyed by the Martian heat-rays, leaving England defenceless against the invasion.
Part 2: The Earth Under the Martians
The wandering Journalist discovers that red weed—the vegetation that gives Mars its colour—has taken root on Earth and spread rapidly across the landscape. In a churchyard he encounters the Parson Nathaniel and his wife Beth.
The trio take refuge in a nearby cottage that is soon surrounded by black smoke—a Martian chemical weapon.
Nathaniel, driven mad by his horrific experiences of the Martian attacks, blames himself for the invasion and believes the invaders are demons arising from human evil.
As Beth attempts to restore his faith in humanity, a Martian cylinder crashes into the cottage and she is buried under the rubble.
The newly arrived Martians construct a handling machine: a squat, spider-like vehicle used to capture and collect humans. After nine days hiding in the ruins, the Journalist and Nathaniel see the Martians ‘eating’—harvesting human blood and injecting it into their own veins.
Nathaniel resolves to confront the ‘demons’, believing that he has been chosen to destroy them with his prayers and holy cross.
The Journalist knocks him unconscious to silence his ravings, but the Martians are already alerted. A mechanical claw explores the cottage and drags Nathaniel away.
Eventually the Martians abandon their camp and the Journalist continues his journey to London. He again encounters the Artilleryman, who is planning a new life underground that would allow humans to evade the Martians and ultimately strike back with reverse-engineered fighting machines.
The Journalist, however, realizing the Artilleryman’s ambitions far exceed his abilities, soon leaves. Upon reaching London, he finds the city desolate and empty.
Driven to suicide by intense despair and loneliness, he surrenders to a fighting machine but realizes it is inert, the Martian inside dead.
In his epilogue, the Journalist reports that the Martians were defeated by Earth’s bacteria—to which they had no resistance—and that, as humanity recovered from the invasion, he was reunited with Carrie. But, he says, the question remains: is Earth now safe, or are the Martians learning from their failures and preparing a second invasion?
In a second epilogue set in the near future, a NASA mission to Mars flounders when the control centre loses contact with the craft.
The controller sees a green flare erupt from Mars’s surface. The controller tries to contact NASA, but all communication seems to have been blocked. This leaves a question mark of what’s going to happen and the fate of earth.
Side one - The Coming Of The Martians
1. The Eve of the War - 9:06
Lyrics By – Gary Osborne
Performer – Justin Hayward
2. Horsell Common and the Heat Ray - 11:36
Lyrics By – Gary Osborne
Side two
1. The Artilleryman and the Fighting Machine - 10:36
Lyrics By – Gary Osborne
2. Forever Autumn - 7:43
Performer – Justin Hayward
Written-By, Lyrics By – Gary Osborne, Paul Vigrass
3. Thunder Child - 6:10
Performer – Billy Lawrie, Chris Thompson, Gary Osborne, Paul Vigrass
Written-By, Lyrics By – Gary Osborne
Side three - The Earth Under The Martians
1. The Red Weed (Part 1) - 5:55
Lyrics By – Gary Osborne
2. Parson Nathaniel - 1:45
Lyrics By – Gary Osborne
3. Spirit of Man - 9:52
The Lyrics By – Gary Osborne
4. The Red Weed (Part 2) - 6:51
The Lyrics By – Gary Osborne
Side four
1. Brave New World - 12:13
The Lyrics By – Gary Osborne
2. Dead London - 8:37
The Lyrics By – Gary Osborne
3. Epilogue (Part 1) - 2:42
The Lyrics By – Gary Osborne
4. Epilogue (Part 2) (NASA) - 2:02
Lyrics By – Gary Osborne
Voice [Dialogue] – Doreen Wayne, Jeff Wayne
Companies, etc.
- Phonographic Copyright ℗ – CBS Records
- Copyright © – CBS Records
- Published By – April Music Ltd.
- Published By – Leeds Music Ltd.
- Published By – Jeff Wayne Music
- Made By – Shorewood Packaging
- Pressed By – CBS, Haarlem – 01-96000
Credits
- Art Direction, Design [Logo] – John Pasche
- Bass – Herbie Flowers
- Composed By, Orchestrated By, Conductor, Producer, Executive Producer – Jeff Wayne
- Directed By [Dramatic And Narrative Sections] – Charles Dubin, Jerry Wayne
- Drum [Tar], Santoor [Santur], Zither – George Fenton
- Drums – Barry Morgan
- Effects [Sfx] – Pest
- Guitar – Chris Spedding, Jo Partridge
- Keyboards – Jeff Wayne, Ken 'Prof' Freeman
- Lacquer Cut By – BilBo (tracks: A1, A2)
- Mastered By – Bill Foster
- Painting – Geoff Taylor, Michael Trim, Peter Goodfellow
- Percussion – Barry Da Souza, Ray Cooper, Roy Jones
- Recorded By – Geoff Young
- Recorded By [Assisted] – Laurence Diana
- Synthesizer – Ken 'Prof' Freeman
- Voice Actor [Artilleryman] – David Essex
- Voice Actor [Beth] – Julie Covington
- Voice Actor [Journalist] – Richard Burton
- Voice Actor [The Heat Ray] – Jo Partridge
- Voice Actor [The Parson] – Phil Lynott
- Voice [Epilogue Voices By] – Jerry Wayne
- Written-By [Adapted From] – H.G.Wells
Notes
Release: 1978
Format: Vinyl, 2LP
Genre: Progressive Rock
Label: CBS Records
Catalog# 96000
Vinyl: Goed (VG)
Cover: Goed (VG) Gatefold
Prijs: €30,00

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