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Mass Production is an American funk/disco musical group, best known for their 1979 hit, "Firecracker." Based in Norfolk, Virginia, the ten-piece group had a series of minor R&B hits in the late 1970s and early 1980s.
Although they never achieved the notoriety they deserved, pound for pound Mass Production was one of the hardest-working outfits in pop/R&B's heady era of self-contained funk bands.
It was also one of the largest. In a pop music genre where a five-ember outfit could have easily been considered a combo, Mass Production, sometimes standing I I members strong (including Agnes "Tiny" Kelly, lead vocals and vocoder; Larry "Rockstarr" Marshall, lead vocals; Rodney "Bunny" Phelps, lead guitar and keyboards; LeCoy "Coy" Bryant, guitar; Tyrone Williams, keyboard; Kevin "D' No" Douglas, bass guitar keyboards, and vocals; Ricardo "Ricky" Williams, drums, percussion, keyboards and vocals Emmanuel "Joe Rock" Redding, percussion; James "Otiste" Drumgole, trumpet, flugelhorn, and vocals; Gregory McCoy, sex and keyboards; and Samuel "The Banger" Williams, drums), was just short of an orchestra.
While some funk band aficionados remember Mass Production as the vehicle of multitalented Tyrone Williams and lead vocalisi/songwriter/drummer/percussionist Ricardo Williams, the band was a virtual workshop of capable players and writers. Music entrepreneur Ed A. Ellerbe actually jump-started the crew (through six albums, he would serve either as the group's producer, manager, and/or executive producer): he brought the unit to the attention of Cotillion records chief Henry Allen, who, eager to make a foray into R&B's burgeoning funk movement, signed the group to his Atlantic-distributed label.
"Firecracker" is commonly misattributed to the similarly named (and sonically/stylistically similar) band Brass Construction.
In 1982, Mass Production followed up their two very successful albums “In The Purest Form” and “Massterpiece” with “In A City Groove”.
It marked a slight change of tack for the band, with an overall much smoother sound and the use of a lot of strings and slap bass.
These innovations are best represented here by the marvellous, flowing, near-title track “Inner City”, almost what you would call “break-beat ready” as you can also hear the influence of Hip Hop and what it might take from them too.
Side A
A1. Maybe Maybe - 5:17
A2. Never Ever - 3:34
A3. One More Chance - 5:25
A4. I Should Have Known Better - 4:09
Side B
B1. Rock - 6:17
B2. Inner City - 5:55
B3. Solid Love - 4:52
B4. Weird - 3:32
Companies, etc.
- Mixed At – Atlantic Studios
- Recorded At – Skyline Studios
- Pressed By – Specialty Records Corporation
Credits
- Alto Saxophone, Tenor Saxophone – Gregory McCoy
- Backing Vocals, Bass, Strings [Electric], Synthesizer [Mini-moog, Prophet 5] – Kevin "D'No" Douglas
- Backing Vocals, Flugelhorn, Trumpet – James "Otiste" Drumgole
- Backing Vocals, Guitar [Lead, Rhythm] – Lecoy "Coy" Bryant
- Backing Vocals, Lead Vocals – Larry "Rockstarr" Marshall, Ricardo "Ricky" Williams, Agnes "Tai" Kelly
- Concertmaster – Gene Orloff
- Drums – Samuel "The Banger" Williams
- Engineer – Michael MacDonald, Glenn Paoli
- Engineer [Assistant] – Arthur Payson, Eleanor Zimmer, Steve "Doc. Drum's" Goldman
- Executive-Producer – Ed A. Ellerbe
- Keyboards – Tyrone Williams
- Mastered By – Herbie Jr
- Mixed By – Jimmy Douglass
- Percussion – Emanuel "Joe Rock" Redding
- Producer, Arranged By [Rhythm, Vocals] – Mass Production
- Strings, Horns, Conductor – Cengiz Yaltkaya
- Trombone – Harold C. Watkins
- Trumpet, Flugelhorn – Joseph "Sly" Simters
- Vocals – Dean Williams
Recorded at Skyline Studios, NYC
Mixed at Atlantic Studios
Mastered at Frankford/Wayne, New York
Mixed at Atlantic Studios
Mastered at Frankford/Wayne, New York
Notes
Release: 1982
Format: LP, Vinyl
Genre: Soul, Funk
Label: Cotillion
Catalog# COT 50877
Vinyl: Goed (VG)
Cover: Goed (VG)
Prijs: €10,00

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